Friday 19 February 2016

Abstract for Gathering in Biosemiotics 16: "A brief history of the cultural semiotic of wolves and sheep"

Today I have submitted the abstract below to the organizers of Gathering in Biosemiotics 16 (Prague July 4-8).

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A brief history of the cultural semiotic of wolves and sheep

Morten Tønnessen
University of Stavanger, Norway

Wolves and sheep go together – at least in the public mind. In terms of ecological range, they are among the most widespread mammals of wild and domesticated species respectively. While the wolf is in several countries the most controversial large carnivore, it is also, and not coincidentally, the most symbolically laden Western carnivore. The wolf is a symbol of large carnivores, governmental interference in local issues, freedom and authenticity, evil, hunger, sexuality, etc. Sheep, on the other hand, represent among other things innocence and vulnerability (and, of course – food, wool and thus economic value). 
The juxtaposition of the symbolism of wolves and sheep go all the way back to the Bible, if not even further. In the Bible, this archetypical opposition is only resolved in the vision of a new Earth and new Heavens, when, in this new paradise, “[t]he wolf and the lamb will feed together” (Isaiah 65:25). Meanwhile, everybody “knows” that wolves prey on sheep. However, many would be surprised to learn that in Norway, wolves over time only account for 4–5% of depredation on sheep (Rovdata). This demonstrates the way in which people are informed not only by facts, but also by cultural imagery.
Familiarity with the cultural imagery of wolves and sheep is arguably a precondition for fully understanding the fierce human emotions that are invoked in social and political conflicts on wolf management and conservation. Although there are local variations, and even though imagery and symbolism can change over time, the “background noise”, as it were, of the historical cultural semiotic of wolves and sheep is significant practically wherever there are, or were, wolves.
In this paper I will present central and illustrative examples of the symbolism of wolves and sheep from a historical point of view. The historical perspective will help making sense of developments in animal imagery. The topic matter is of interest not only because it says something about how we conceive of animals, but also because our representations of wolves and sheep are often used to construct human identities. As a matter of fact, the cultural imagery of wolves and sheep is just as telling about who we are, as humans, and how we think about ourselves, as it is about actual wolves and sheep.

Acknowledgement: This work has been carried out thanks to the support of the research project Animals in Changing Environments: Cultural Mediation and Semiotic Analysis (EEA Norway Grants/Norway Financial Mechanism 2009–2014 under project contract no. EMP151).

Reference
Rovdata. http://www.rovdata.no. 

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